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Review: ‘The Legend of Maula Jatt’ has got us saying ‘Nava aya ae sohneya’

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On a sweltering, eerie day in Punjab, a village finds its voice in a brawling young man with a Gandasa. A messiah rises from the ashes in a bid to fight a barbaric, corrupt clan. Behind him is a dark past and ahead of him is a burning desire to avenge the blood of his parents.

A lot of nerves, action and fascination lie before, after and in between the interval of The Legend of Maula Jatt.

While the first-half builds up the motivation of the plot, the latter half peaks with a thrilling climax. What does not change, however, is a continuous effort to mind-boggle the audience.

TLoMJ is a fight of good versus evil. It is a fight of right versus wrong. It is the fight of Maula Jatt versus Noori Natt.

Review: The Legend of Maula Jatt has got us saying Nava aya ae sohneya

It is truly rare for Pakistani cinema to witness a story where the villain is as powerful as the hero. The first was perhaps Younas Malik’s Maula Jatt (1979), where strong character developments gave Pakistani film industry superstars like Sultan Rahi and Musutafa Qureshi. 

And now, amid much hype of Bilal Lashari’s reboot, it is safe to say the magic has been recreated with Fawad Khan and Hamza Ali Abbasi with the support of Mahira Khan, Humaima Malick, Gohar Rasheed and Faris Shafi.

Maybe it is Maula’s hunger for justice, or Mukkho’s unapologetic love for him, maybe it is Noori’s psychosis or Daaro’s fearless aura, but TLoMJ is a movie you would want to watch again.

Review: The Legend of Maula Jatt has got us saying Nava aya ae sohneya

The film does come with its concerns too, and rightfully so. With language being a barrier and an impactful 70’s namesake as the benchmark, Lashari has a lot to debunk.

An advice to cinema goers, however, is to not compare the new version with the original one. While the main plot line remains the same, Lashari has created something miles apart from its predecessor and not just because of technology. It is a generational shift, it is bold and beautiful in its different sense.

Review: The Legend of Maula Jatt has got us saying Nava aya ae sohneya

For those, who do not find themselves well-equipped with understanding of Punjabi, the producers have not let language become a barrier. The movie has subtitles and adapts an easy dialect to simulate the experience.

Another big concern for many Maula Jatt lovers has been the absence of songs in Lashari’s version. People, who have developed a taste for Punjabi films are big advocates of music and insist a cinema experience is truly complete when infused with a range of peppy dance numbers. For all those, the movie serves a crisp background score, a nostalgic script and fascinating visual tricks. While this might not make up for the melodies, it does provide a compelling mix of entertainment.

Review: The Legend of Maula Jatt has got us saying Nava aya ae sohneya

A lot of ups and downs, delays and legal setbacks later, TLoMJ has lived up to, if not surpassed expectations. It is an initiative never seen in Pakistan before. It is truly a labour of love.

It comes amid efforts to revive a cult classic. It may not borrow much from the original, but it brings a life of its own on screen. More than anything, it is a saviour to otherwise struggling Pakistani film industry.

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The actor Ali Mallah of “Ishq Murshid” talks about life’s challenges.

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After a successful stint in the smash hit Ishq Murshid, Sindhi musician Ali Gul Mallah, who has been in the industry for thirty years, has suddenly become the talk of the town.

He at last received the credit he earned and rose to fame across the country.

He discussed his experiences with financial hardships in Mazaq Raat, as well as how being an orphan exacerbated his suffering.

world,” saidHe said he had only one sister and that his mother had passed away while he was a small child. “When a person’s mother goes, he is just like an orphan in the world,” the father of the speaker remarried.

He also talked candidly about how his success caused everyone to behave differently.

According to him, those who once ridiculed and criticized him, asking whether he was attempting to become Shah Rukh Khan, are now more amiable and appreciate his efforts.

Ali Jan, the son of Ali Gul Mallah, appeared on the show alongside his father and expressed their immense happiness and pride at their father’s accomplishments.

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Aiza Awan expresses her enjoyment of playing the role of a damsel in distress.

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Aiza Awan recently appeared as a guest on the PSL special show ‘Har Lamha Purjosh. She actively participated in enjoyable activities and openly responded to the innocent questions asked by host Najeeb-ul-Hasnain.

During a segment, Awan disclosed that it is indeed accurate that the majority of her budget is allocated to travel expenses. When questioned about her most opulent journey, the actress highlighted Europe and revealed that she has extensively traversed the majority of the region.

When questioned about whether she has stopped portraying the conventional damsel in distress characters in movies, the actor of ‘Tere Bina Mein Nahi’ responded with a straightforward “no.” Due to my exclusive focus and extensive experience in this genre, it has become my area of expertise. As a result, I have developed a high level of proficiency in portraying emotions, particularly crying. Therefore, I have gained a deeper understanding of those characters and have developed a certain level of enjoyment for them.


Furthermore, Awan revealed that novice performers typically arrive on the sets early and depart late; however, she acknowledged that this practice is not wholly unjustified, as one needs to exert great effort during their initial phase of striving.

Aiza Awan’s most recent acting role was in the popular drama series ‘Tere Bina Mein Nahi’, where she appeared with renowned actors Shahzad Sheikh and Sonya Hussyn.

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Fazila Qazi exposes ceremonies for awards

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The expert stated, “Social media followers are just a passing trend,” during a program. She also said that users on social media have all the time in the world and are “purposeless.”

Furthermore, she made oblique references to the fact that Pakistani award ceremonies are primarily preset and predetermined and that a particular group of people consistently win honors.
In answer to a separate query, Qazi said that all drama serials in recent years have the same storyline, which is reused repeatedly with “different angles.” She said, “It’s the same plot and material with a few minor changes to try something fresh.
The veteran described “politics in Pakistan” as an enjoyable diversion.

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